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BIO 

Working across the boundaries of print, moving image, sound and sculpture, Wilson’s practice explores the stretch of time between the industrial and post industrial; in particular the beginning of automation and how this is altering our relationships with technology. Using site visits as a catalyst to research, write and produce works, she is fascinated by the human machine relationship of both ‘conductor’ and ‘orchestra’ and how these performative roles manifest themselves within both our natural and fabricated environments.

 

Since graduating with an MA in Fine Art from the Royal College of Art, Wilson has exhibited nationally and internationally at institutions including the Taoxichuan Museum of Art (China), OGA (Rome), Parc de la Villette (Paris) and the Hockney Gallery (London). In 2019, she received the first digital commission for Art in Manufacturing as part of the National Festival of Making in partnership with Deco Publique, Super Slow Way and Arts Council England, culminating in the installation The Optical Mechanical.

 

In 2020, she undertook a seven-month residency at Coachworks, co-commissioned by Turner Works and Ashford Borough Council, collaborating with Hitachi Rail Ltd to produce The Orchestrated Unconscious. This led to further Arts Council England funding to work with CNC Robotics, culminating in Within the Wake (2022), showcased at the National Festival of Making and featuring in Aesthetica’s Future Now anthology. Most recently, she created OF CONFLUENCE (2024), an immersive installation commissioned as part of the Turner Prize wraparound programme in partnership with the Blackshed Gallery, Talent Accelerator at De La Warr Pavilion, Eastbourne Alive and Rother District Council. Developed in collaboration with local communities, the work brought together sound, sculpture and moving image to explore the ecology of the tidal river.

 

In 2025, Wilson curated and exhibited in a major exhibition titled Radical Pairings at the National Festival of Making, coinciding with the publication of a critical essay by Elizabeth Fullerton (Art Critic and Writer, The New York Times, Art Monthly). In the same year, her work was shortlisted for Bloomberg New Contemporaries and she exhibited as part of the Aesthetica Art Prize in York. Recent exhibitions include the Royal Birmingham Society of Artists and she is also the recipient of the BBA Art Award, with work scheduled for presentation at BBA Gallery in 2027.


INFO

07764244877

Instagram: https://www.instagram.com/_liz_wilson_/

lizwilsonstudio@gmail.com

www.lizwilson.work

 

EDUCATION

MA Print, Royal College of Art (2014 - 2017)

PGCert Post-Compulsory Education, University of Brighton (2008 - 2009)

BA (hons) Illustration, University of Gloucestershire (2005 - 2008)

 

EXHIBITIONS | 2017 - 2026

2027 / BBA Art Gallery, Köpenicker Str. 96, 10179 Berlin, Germany *Forthcoming*

2026 / RBSA Print Prize Exhibition, RBSA Gallery, Birmingham 

2025 / Woolwich Contemporary Print Fair, Fireworks Factory, London

2025 / Aesthetica Art Prize, York Art Gallery, York 

2025 / Radical Pairings, Blakey Moore Terrace, National Festival of Making | To coincide with the launch of the publication ‘Radical Pairings’ including essays & interviews by Elizabeth Fullerton (Art critic and writer), Claire Mander (CoLab Arts), Elena Jackson (Curator, National Festival of Making) 

2025 / Wonderful Electric, Fusebox, Blackburn

2024 / Woolwich Contemporary Print Fair, Woolwich Works, London

2024 / Babel, Bury Museum & Sculpture Centre, Bury 

2024 / The Rhythm Machine, The Second Act, 29 Sunbury Workshops, London (SOLO)

2024 / OF CONFLUENCE, Terminus Road, Eastbourne // Commissioned by Blackshed Gallery and produced in partnership with The Talent Accelerator at the De La Warr Pavilion, Rother District Council and Eastbourne Alive (Official wrap-around programme for the Turner Prize SOLO) 

2023 / Woolwich Contemporary Print Fair, Woolwich Works, London 

2023 / The Optical Mechanical, Middlesbrough Art Week, Cleveland Centre, Middlesbrough 

2023 / Creative Arts Digital Sandpit, FACT, Liverpool

2023 / Aesthetica Art Prize, York Art Gallery, York

2022 / Woolwich Contemporary Print Fair, Woolwich Works, London

2022 / Flourish Award, The Point Gallery, Doncaster

2022 / Within the Wake, Tony’s Ballroom, Blackburn | Commissioned by Art in Manufacturing, the headline commissioning programme for the National Festival of Making | Produced in partnership with CNC Robotics (SOLO)

2022 / Flourish Award, Northern Print, Newcastle 

2022 / Annual Exhibition, Royal Scottish Academy 

2022 / Flourish Award, Huddersfield Art Gallery, West Yorkshire

2021 / Woolwich Contemporary Print Fair, Woolwich Works, London 

2021 / Wycombe Print Fair, Blonde Contemporary, Wycombe Air Park

2020 / Automated, Fringe Arts Bath

2020 / The Orchestrated Unconscious, Coachworks, Ashford | Commissioned by Ashford Borough Council and produced in partnership with Turner Works and Hitachi Rail Ltd (SOLO)

2019 / The Optical Mechanical, Northgate, Blackburn | Commissioned by Art in Manufacturing, the headline commissioning programme for the National Festival of Making and produced in partnership with Spiroflow (SOLO)

2019 / OGA VideoArt Exhibition, Rome

2018 / IAPA Exhibition of Printmaking, Jingdezhen, China

2018 / VideoArt Exhibition, Leeds Big Screen, Millennium Square, Leeds

2018 / BLUE\X80, Parc de la Villette, Paris

2018 / RCA Secret, London / Dubai

2018 / Woolwich Contemporary Print Fair, London

2018 / CALL ME BITTER, Kaleidoscope Gallery, Greater London

2017 / Monochrome, Islington Art Factory, London

2017 / Woolwich Contemporary Print Fair, London

2017 / SHOW, Royal College of Art, London

2017 / Super Super, Kingsgate Project Space, West Hampstead, London

2017 / Synthetic Ecology, ONCA Gallery, Brighton

2017 / OUTPUT, Café Gallery, Southwark Park, London

2017 / Edit + Control, Hockney Gallery, London

 

AWARDS | COMMISSIONS | RESIDENCIES

2025 / BBA Art Prize

2025 / Developing Your Creative Practice Grant | Arts Council England  

2025 / Shortlisted, New Contemporaries 

2024 / Shortlisted, Liverpool Sculpture Prize

2024 / Shortlisted, Emerging Artist Programme, Orleans House Gallery

2023 / Residency & Commission | OF CONFLUENCE, Terminus Road, Eastbourne | Commissioned by Blackshed Gallery and produced in partnership with The Talent Accelerator at the De La Warr Pavilion, Rother District Council and Eastbourne Alive (The official wrap-around programme for the Turner Prize) 

2023 / Aesthetica Art Prize (Longlisted)

2022 / Golsoncott Printmaking Award

2022 / Residency & Commission | Within the Wake, Tony’s Ballroom, Blackburn | Commissioned by Art in Manufacturing, the headline commissioning programme for the National Festival of Making and produced in partnership with CNC Robotics.

2021 / Developing Your Creative Practice Grant | Arts Council England 

2020 / Residency & Commission | The Orchestrated Unconscious, Coachworks, Ashford | Commissioned by Ashford Borough Council and produced in partnership with Turner Works and Hitachi Rail Ltd. 

2019 / Developing Your Creative Practice Grant | Arts Council England 

2019 / The Optical Mechanical, Northgate, Blackburn | Commissioned by Art in Manufacturing, the headline commissioning programme for the National Festival of Making and produced in partnership with Spiroflow. 

2018 / Shortlisted, Bloomberg New Contemporaries

2017 / Augustus Martin Print Prize

2017 / Shortlisted, Stanley Picker Tutorship, Kingston University

2017 / Eaton Fund

 

PRESS / PUBLICATIONS / TALKS 

2025 / Essay commissioned by the National Festival of Making, written by Elizabeth Fullerton (Art Critic & Writer for Art Monthly, New York Times & Guardian) including interview with Claire Mander (CoLab Arts) 

https://artinmanufacturing.co.uk/wp-content/uploads/2025/07/Raical-Pairings-Web.pdf

2023 / Narc Magazine, https://narcmagazine.com/feature-middlesbrough-art-week/

2023 / Artist Talk, Creative Visual Arts Network ‘Artists and the Digital Divide’

https://www.youtube.com/@CVANSE

2023 / Publication, Future Now Anthology, Aesthetica Magazine 

2022 / Artist Talk, In conversation with Jamie Holman, Tony’s Ballroom, National Festival of Making 

2022 / Artist Talk, In conversation with Claire Mander (CoLab Arts), Tony’s Ballroom, National Festival of Making 

2022 / Film, Art in Manufacturing https://youtu.be/9R5x4cA-Ed4

2022 / Interview, BBC Lancashire https://www.bbc.co.uk/sounds/play/p0c7g8cy (1:21mins)

2022 / Publication, Art in Manufacturing, National Festival of Making https://festivalofmaking.co.uk/wp-content/uploads/2022/06/19043-NFM22-AiM-Booklet-24pp-A6_v8.pdf

2021 / Artist Talk, Ashford Cultural Network, Ashford Borough Council / Online

2021 / Interview with Liz Corkery, Print Club Ltd https://jointheprintclub.com/journal/2021/9/20/an-interview-with-liz-wilson 

2020 / Magazine, Inside Kent Magazine https://joom.ag/B8uC/p8

2020 / Interview, BBC Kent, Dominic King Show

2020 / Cene Magazine https://cenemagazine.co.uk/news/2020/7/7svgag1glutv9e86yifp3h7snzndxub

2019 / Panel Discussion | Art in Manufacturing, Blackburn Cathedral 

2019 / Film, Art in Manufacturing https://youtu.be/LhFtzH9QEkc

2019 / Artist Talk, The Optical Mechanical, 29 Northgate, Blackburn

2018 / Artist Talk, There’s Something in my Throat, Kaleidoscope Gallery, Greater London
2017 / Artist Talk & Panel Discussion with Lou Lou Sainsbury & Mikhail Karikis, ONCA Gallery, Brighton 


PROFESSIONAL ENGAGEMENTS
Associate Lecturer, University for the Creative Arts, Epsom (2011 - present) 

Tutor, City Lit (2025 - present) 
Technical Tutor in Printmaking & Imaging, University for the Creative Arts, Epsom (2011 - present)

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